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Polish Film and the Holocaust: Politics and Memory - WWII Historical Documentaries for Students & Researchers
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Polish Film and the Holocaust: Politics and Memory - WWII Historical Documentaries for Students & Researchers
Polish Film and the Holocaust: Politics and Memory - WWII Historical Documentaries for Students & Researchers
Polish Film and the Holocaust: Politics and Memory - WWII Historical Documentaries for Students & Researchers
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Description
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.
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This book is revelatory. I'd suggest a reading list that includes: "Hitler's Willing Executioners: Ordinary Germans ..." by Daniel Goldhagen; Christopher Browning's: "Ordinary Germans: Reserve Police Battalion 101;" Browning's "The Origins of the Final Solution;" "There Once was a Village:A 900-Year Chronicle of the Shtetl of Eishyshok" (Poland);"The Golden Age of the Shtetl:"and "Neighbors:The Destruction of the Jewish Community of Jedwabne, Poland," among many, many others about the Holocaust.I did not know Poland had made so many films about the Holocaust. The Poles began making films about the Holocaust almost before the guns were silent. Of course, the entire post war period up until the fall of the Soviet Empire was the environment in which many of these films were made. Two, more modern, post Soviet influence films, are "Edges of the Lord" and "Rememberance" which reflect of the relationship between Poles and Jews during the war. "Rememberance" reflects of a love affair inside Auschwitz, with the two key figures going separate ways ... to reunite thirty years later. Both the man and woman have had families and life for those thirty years, but the power of their love has to be sought for some "closure." Or, continuance. I'm not sure which. Many of the films cited in this book involve relationships with Polish men or women who are Jews. Some involve love affairs between Jews of other nations and Poles. The role of the Polish Resistance Movement is portrayed as generally lethal. The book demonstrates that while there were hundreds, perhaps thousands of Poles who helped Jews, the greater majority were either "neutral" or "complicit" in turning the Jews in to the Germans. And, of course, no real understanding of the special dilemma of Jews and Poles can avoid watching Claude Lanzmann's massive 9-hour "Shoah." One certifiably correct observation is that many who were cooperative with the Germans, the Nazis, the SS, SD, Gestapo, were Dutch or French or any number of other nationalities. A spectrum existed with degrees of complicity to eliminate the Jews from all countries in Europe. France certainly had a serious complicity; so did the Dutch; Hungarians, Rumanians, Ukrainians, White Russians. Denmark may have set the high tone ... getting their 5-10,000 Jews to safety in Sweden before the SS could swoop them up. Poland had and in several more modern documentaries, still has a shame to deal with. Most of the extermination camps, death factories, concentration camps, work to death camps, starve to death camps, & ghettos, were located in Poland. The Germans understood the tension that had existed for many years between the Poles, the Jews, and the Russians. In several of these books, photographs of even what might be termed ... agricultural or rural shtetl, show prosperous Jewish citizens. And, it is clear, that many Jewish merchants and wealthier citizens, did have enough cash, disposable items, to trade, bury, distribute to their Polish neighbors who hid them from rapacious Nazi hunters. The level of savagery that the Nazis perpetrated on the Jews who invariably wound up in Poland was beyond description. They also killed many Poles who were found to be connected to Jews in hiding. There were many Poles who had known Jews personally, who evidently watched for many years their Jewish neighbor's prosper ... often times, in their minds ... at their expense. The Jews of the shtetl often sided with the Czarist Russians who absorbed parts of Poland and of course, created "The Pale of Settlement" which incorporated Ukraine, Belarusse, parts of Poland, the Austro-Hungarian Empire, and German Empires. Always "outsides" by their religion and culture, the Jews of Poland were often seen as antagonists to the Poles, regardless of class. The Jews, as outsiders, always tried to survive.They did, but the animosities by WW II were seething. I'd guess that the Polish film indusrtry has tried to grapple more than any other nation what the Holocaust meant to them. And it is impossible to understand how Poles acted, regardless of helpful or damning, without this hundreds of year history we in America simply do not have. The underpinnings of our republic, and democracy, haven't seen such a tense relationship as that of the Poles and Jews of Poland. The closest would be our history with the Native Americans. Even that, however, is distant. I would say that overall, the Holocaust as s subject of key interest, has been one the Polish film industry has tried to address. A PBS documentary: "Shtetl" @ 3 hours, is perhaps even more revealing. A young Pole in a village has on his own, with some retribution by other Poles, tried to document the demise of the Jewish population in his own place. At first, survivors who return to that place, are laudatory in general of his activities. But once the young man goes to America, and then Israel, he gets a mixed review. Some survivors are bitter at him for not doing enough. Israeli teens pretty well toast him as he sits in a classroom. Later, the film maker returns to the village. The Village is having a 500 year anniversary. The filmmaker, a Pole who left before the fall of communism, even exhorts the man to make more of the Jewish history of the village. Modern pressures by other poles have by then taken their toll. I'd guess his fellow villagers villified him upon his return from America for bringing or enticing other Jews to return. The temperature is: we don't want those Jews to return: they may make claims on property; they may have their own hatred; sadness; painful memories. Some who helped Jews are found. Some who seem to forget what they did to Jews, are encountered. Answers are dodged. Eyes fail to meet. Shame based laughter (see "Shoah"). The SS was evil. As an evil instrument, it was able to manipulate the racial, ethnic, and religious tensions between Polish Jews and Poles. A scene in "Shoah" is remarkable. Lanzmann interviews a man and a woman in the sixties, about their house. It was, it seems, taken from the Jews when they were expelled. Shot, perhaps, by Einzatzgruppen. Certainly, removed from their house. The man's eyes suddenly glimmer with an evil brightness: "They had money. They had gold." He says. And several Poles describe, and then nervously laugh, how they made a "slashing" movement across their throats, as trains loaded with Jews ran by. Their laughs are shame based. They know what they did. Anyone who turned in anti-war demonstrators in this country, during Vietnam; who villified Quakers, Mennonites, Seventh Day Adventists, who refused to fight in WW I or WW II; who turned in men or women who were suspected of being Communists during the McCarthy era: those folks know what they did, and why. I'd guess they're as close to the Poles who cooperated with the Germans. The numbers were, of course, much larger for the Poles, than such Americans. I've watched "The Last Stage" and several other of the films mentioned. In my opinion, if you want to get into this, watch "Shoah" and "Kitty Returns to Auschwitz" (not a Polish film); and several documentaries about Polish women & women who sheltered Jews during the War. In "Shoah," one goes back without a single frame of the Holocaust. "Rememberance" and "Edges of the Lord" and "The Last Stage (filmed in Auschwitz very nearly directly after the war); and "Shtetl" (PBS) are enough to give you an idea if you want to know more. Every Polish film that might have been conceptualized to show more reality of the dynamic between Poles & Jews between 1944 and the end of the Soviet Union were coopted by the Soviet political authorities. But ... here's the deal: Polish film makers TRIED.Given the number of Jews killed in Poland, and the number of Poles killed because they were among the Jews there ... the Poles have tried to grasp what they did or didn't do. As majority Catholics, they may carry an extra burden for "sins" of commission or omission that hardly any Americans can get. I know that I hope we never return to an era where someone turns you in for being in the military and speaking out against Vietnam ... as I did, in 1967. For that, I WAS turned in by someone in my home town. Who? I'll never know unless I search for certain files. I've let it go. Do you see? Do you get what it can be about? Read many books before you automatically damn the Poles. And yes, the extermination of Eastern European Jews was vicious and "thorough."I, for one, believe that in Buddhist terms, "What was as it was ..." means: no other nation in the world, in the period 1933-1945 was so fanatical and single minded and efficient and thorough about exterminating the Jews of Europe as were the GERMAN Nazis. Anti-semitism was rampant all over the world then. Only the GERMANS were able (capable) of wiping out one group of people with such determination. The GERMANS must live with that. They've made reparations. I don't think the Poles have. It's a gordion knot that should be approached with this question: what would I do or have done? Those Poles who helped Jews in that maelstrom were heroes. Without a doubt. Focus on them. Get this book. Learn more. Put your own head and heart in a tailspin. I was called a "f..king traitor" and "communist piece of sh.t" when I stood up against the War In Iraq. That was just six years ago. Easy to criticize; harder to stand against a juggernaught which says: "You're either with us or against us." That's George Bush & Dick Cheney, don't forget. Enhanced Interrogation Techniques. "A Most Wanted Man." Watch and think about our very recent past. A very, very good book. Commendable.

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